Episode 78 – A New Helena

Solidus of Constantine VI and Irene (Wikipedia)

Solidus of Constantine VI and Irene (Wikipedia)

The Patriarchal Throne in the Hagia Sophia, Nicaea

The Patriarchal Throne in the Hagia Sophia, Nicaea (Flickr)

Hagia Sophia, Nicaea

Hagia Sophia, Nicaea (Wikipedia)

The Empress Irene becomes Regent for her son Constantine VI and sets about securing their rule. She manages to gain the support of the bureaucracy, army and church. Then she organises another Ecumenical Council to restore the Icons.

Period: 780-787

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Categories: Podcast | 8 Comments

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8 thoughts on “Episode 78 – A New Helena

  1. Harry Dimopoulos

    Unable to download Episode 78 from iTunes

  2. paddle2paddle

    Fantastic episode. Thank you.

  3. Caitlin

    An interesting episode. I haven’t listened to the ones that come later, so perhaps it’s addressed, but I did want to comment on the iconophile/iconoclast debate. It seemed to be implied in the podcast that icons were a newer innovation in the church. Archaeological evidence has proven otherwise, particularly with the house church as Dura Europos, established between 233 and 256, with frescoes of the Good Shepherd and the Healing of the Paralytic, among others. They may not be ‘traditional’ icons, but are at least proto-typical. Not to mention the higher-quality frescoes at the Jewish synagogue at Dura Europos indicates that iconography has its roots in Jewish religious art. Hardly a later Byzantine innovation.

    • Apologies for my lack of precision. I was referring to the portable icons only really. And their dissemination into local churches and people’s homes. As far as I remember this was traced to the second half of the 6th century.

      • Caitlin

        That does make a little sense. I’m still not sure how the difference between portable icons and wall icons can effect the meaning that came across in the podcast. The key is that the veneration of icons, no matter their type, is likely of ancient origin and not a later innovation.

  4. Well I did say in the introduction to Iconoclasm that the Pagan worship of statues/images was something Christians were keen to distance themselves from. And yet the emergence of Christian iconography suggests that the cultural desire for religious objects may have been reborn in this guise. And I’m happy to concede that the veneration of individual holy objects or relics did exist before the later 6th century. But the specific proliferation of icons and a common cultural acceptance of them as an everyday part of Christian faith has been connected to a specific period in Byzantine history. Please do check out Haldon/Brubaker “Byzantium in the Iconoclast Era” for more info.

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